Claire Connolly is Professor of Modern English at University College Cork. She is a Fellow of the Learned Society of Wales, a Member of the Royal Irish Academy, and a Corresponding Fellow of the Royal Society of Edinburgh. From 2019-2023 she was principal investigator for the ERDF-funded project, "Ports, Past and Present" (portspastpresent.eu). She sits on the board of the Irish Research Council, is a member of the Editorial Board for Cambridge Studies in Romanticism and a member of the Royal Irish Academy Council.
Formerly a professor at Cardiff University, Connolly has been a visiting professor in Irish Studies at Boston College (2002-2003) and Concordia University, Montreal (Fall 2011). For 2018-2019 she was Parnell Fellow in Irish Studies at Magdalene College Cambridge.
From 2015 to 2018, Connolly was co-principal investigator with Rob McAllen (University College Cork) of the interdisciplinary research project "Deep Maps: West Cork Coastal Cultures," supported by an Irish Research Council New Horizons Award. With Marjorie Howes (Boston College) she was Co-General Editor of the six-volume series Irish Literature in Transition, 1700-2020 (Cambridge University Press, 2020). Connolly has edited or co-edited nine other books and authored dozens of book chapters and articles. Her 2011 monograph, A Cultural History of the Irish Novel, 1790-1829, won the Donald J. Murphy Prize for Distinguished First Monograph, awarded by the American Conference for Irish Studies. Scholarly editions include two volumes in The Works of Maria Edgeworth (Pickering and Chatto, 1999-2003) and Sydney Owenson’s The Wild Irish Girl (Pickering and Chatto, 2000).
For more about Connolly and her public lecture on December 6, please see the feature article in the Boston College Chronicle.
Since 2017, recordings of Burns Visiting Scholar lectures have been added to the Burns Library Lectures playlist on YouTube.
Courses:
Fall 2023: Irish Romanticism
ENGL6649
Tuesdays 2:00pm - 04:25pm
Stokes 207S
Enrollment limited to 16
Irish literature written in English in the late eighteenth and early nineteenth century registers and responds to a still palpable history of unjust colonial land settlements, revolution and war, a rural society in transition, famine and displacement. This course tracks the work of key Irish writers (Lady Morgan, Maria Edgeworth, Thomas Moore, Gerald Griffin and James Clarence Mangan) who together developeda distinctively textured aesthetic that draws on the past in order to shape new literary futures. Topics to include population, political economy, gender, memory, landscape and empire.
Spring 2024: Irish Environmental Fictions
ENGL7032
Wednesdays 2:00pm - 04:25pm
Stokes 207S
Enrollment limited to 16
A course that tracks Irish literary engagement with forms of environmental knowledge, beginning with contemporary fictions of climate crisis and tracking back to the beginnings of the Anthropocene in the eighteenth century. Authors to be studied include Mike McCormack, Paula Meehan, Sinad Morrisey, JM Synge, Jane Barlow, James Clarence Mangan, Lady Morgan and Maria Edgeworth; topics to include scale, periodisation, hunger, food security, energy and interdisciplinarity. The course will also explore the literary inscription of specific Irish environments including coast, shore, bog and mountain.
Public Lecture:
"Watery Romanticism: Crossing the Irish Sea with Keats"
Wednesday, December 6, 5:00pm reception, 6:00pm lecture; free and open to the public
Burns Library, Thompson Room
Click here to watch the recording (closed captioning provided)
What happens when we put literary concepts and periods to work between and across bodies of water? "Watery Romanticism" offers a new account of Irish culture in the late eighteenth- and early-nineteenth century with a particular focus on the constitutive role of sea crossings. Seas and coasts were part of everyday Irish life in the romantic-era: authors, soldiers, landlords, migrant workers, students and members of parliament moved between our islands and across the empire along with books, letters, wine, food, weapons and cattle.
For the lecture, Connolly will examine one singular case, the crossing between Port Patrick and Donaghadee undertaken by a young John Keats in the summer of 1818 and his subsequent walk to and from Belfast in the months just before he wrote some of his best-known poems. She will draw on the blue, environmental and spatial humanities to analyze Keats’s Irish and Scottish letters and consider the limits imposed upon the creative imagination by the crowded, miserable landscapes of pre-Famine Ireland.
The evening will begin with a wine, beer, and hors d'oeuvres reception at 5:00pm in the Burns Library Irish Room. The lecture will follow at 6:00pm upstairs in the Thompson Room. All are welcome. Directions, parking, and accessibility information is available on the Burns Library website.
For more about Connolly and her upcoming talk, please see the feature article in the Boston College Chronicle.
